Jon Tan

Hi, I’m Jon.

  1. Professionally…

    Analog logotype

    Asides

    I’m a designer living in Bristol, UK, and founding member of the Analog co-operative where I work with friends doing things like the upcoming app, Mapalong, the Brooklyn Beta conference, and running the Mild Bunch HQ. I’m also the co-founder of web fonts service, Fontdeck and occassionally do work for organisations like BBC Future Media. I’m sometimes lucky enough to write for design publications, and talk at conferences.

    I’m also fortunate to be a member of the International Society of Typographic Designers and to serve on Smashing Magazine’ experts panel. My work and prose has featured in publications like I Love Typography, 8 Faces, Typographica, .Net magazine, The Manual, and in books like Hardboiled Web Design (Five Simple Steps), Fluid Web Typography (New Riders), and The Principles Of Beautiful Web Design (SitePoint).

    If there is anything more you wish to know after all that rather formal (and uncomfortably narcissistic-feeling) blurb, you may wish to read more human prose in the form of my personal note or Seven Things log entry.

    Conference talks:

    Books:

    Articles and interviews:

    Professional associations:

  2. Personally…

    Chinese translation: Dragon’s spirit, tiger’s mind, born between sunrise and sunset, where ancestors and descendants whisper, between heaven, earth and tan.

    I’m a husband and father of two boys living in sunny Bristol, UK. Originally brought up in the not-so-sunny, but equally loved Stoke-on-Trent, I took a rather circuitous route to Bristol via Singapore, The Seychelles (map 1, 2), London and Sydney.

    Half of my genes are from Singaporean–born Chinese stock, the other half from the UK. So I’m a hybrid, and regularly dip my toe in both ponds and feel a quiet sense of pride in each.

    When not working, I entertain, enrage and encourage my sons, who apart from being an order of magnitude more creative than I, are also the best spiritual sustenance and exercise regime I could ever wish for.

    I first started designing with Lego. I still think it’s still the best metaphor for what I do today. From dabbling in print design using plate and press in 1992, I moved to digital design around 1995. A jack of all trades and master of none, the tension between artistic creativity, pedantic precision and wanderlust has characterised everything I’ve done, finally finding a perfect home in interface and information design today. Along the way I’ve worked as a marketing director, octopus fisherman, professional DJ, and market stall trader.

    Today I mostly convert pixels to ems, and wish for just one more decimal place of precision and consistent rounding in web browsers.

    I’ve definitely not been bored — I hope the same can be said for you after graciously taking time to read this.

    All the best,

    Jon Tan

    Sunday, 11th March, 2007.

  3. Contact

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    Name:
    Jon Tan
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    URL:
    http://jontangerine.com
    IMs:
    Skype: jontangerine
    Yahoo: jontangerine
  4. Colophon

    Chinese die stamp and lowercae Roman ‘t’.

    There is one Tan here (me) and I like to eat tangerines. When first thinking about life-long domains this one made me smile. Soon after, a respected colleague remembered it long enough to add me to his IM, after accidentally refusing my request. Thus jon tangerine dot com.

    Fresh tangerines may be available soon, but until then this is merely a personal log, knowledge silo and sandbox.

    The design grew out of thoughts on Western type and print versus Chinese typography and calligraphy. A balanced elastic interface seemed to fit, so everything stretches including content images. In fact, there are no presentational or background images at all, only content. You could call it an attempt at pure information design. It’s the same ethic that makes Chinese calligraphy decorative, but simple and articulate, and lets all newspapers have a beauty all of their own, just from the anatomy of the type.

    Depending on your platform, Baskerville or Palatino Linotype are used for headers and incidental text, Georgia for the body. Times New Roman is used for the stacked decorative type in the index masthead. For those lucky enough to be viewing this on a Mac, you may even notice the rare appearance of an italic Cochin.

    The content is managed using a home-rolled blog application built in PHP called Lifelong File. Credit goes to Paul Whitrow for the initial work, but particularly to Jon Gibbins, whose tireless work behind the scenes has qualified him for the “Free Cider At My House Award” for 2007-8. Jon is also responsible for the extracts of my del.icio.us bookmarks, Twitter moments and Upcoming events using a modified version of MagpieRSS rather than the APIs.

    Plain old semantic HTML wraps all the information you see with CSS used for style. Microformats such as hAtom, hCalendar, XFN, hCard and rel-tag feature heavily around the site.

    Other features close to my heart are also planned, from weighty tomes like OpenID support to Mills and Boon fun stuff like Gravatars. Now I’ve said it, it has to happen! Thanks for reading.

Clippings via Del.ico.us

  1. De Waard tents

    Some of the most beautifully made and designed (real) canvas in the world. Oh, and some of the most expensive, too.

  2. Typotheque: Typeface As Programme

    An online version of the Typeface As Program book (first published in 2009) that originated in the efforts of the École Cantonal d’Art de Lausanne (ÉCAL) graphic design programme to teach type design as a separate discipline.

  3. TK TYPE > Chartwell

    Create charts from ligatures. A superb creative way of using OpenType features. Bought.

Moments via Twitter

  1. Wed, 16 May 2012 17:15

    • @USA2DAY Maybe Facebook could fix their iOS app for speech readers, too. Any friends there able to action Robin’s feedback? /cc @scottmac?

  2. Wed, 16 May 2012 14:54

    Hello sunny Bristol! Hurrah!

  3. Wed, 16 May 2012 13:08

    On my way back to family from #fowd. Talked to a heap of people. Lots of fun. Will be catching up on rather large email backlog shortly.

Flickr feed Photos via Flickr

  • Westmoreland House
  • Collapsed inside the carriage works.
  • Inside Westmoreland House, Stokes Croft, Bristol
  • Lock blossom garland
  • Happy days! @bencoleman’s birthday in @mildbunch HQ!
  • Laura at @RITpress sent this ace gift, all because I mentioned What is Reading For? at @aneventapart; thanks!
  • The Future is Now — @meyerweb at @aneventapart #aeasea
  • Seattle from my hotel room thanks to @zeldman @meyerweb and @eventapart
  • Chris Chapman (centre), Tom Harrison, Pete Coles and Ben Coleman in Mild Bunch HQ
  • Down into @The_ArtsHouse from the @HQ  terrace.
  • For the joy of just reading (and a bit of research :).
  • Happy work on the new sofa at Mild Bunch HQ!

Work with me via ~ Analog ~ a creative consortium.